Let lock trigs affect arps
For more fun with arps.
Flatten arpeggiations
For further editing
Let lock trigs affect arps
For more fun with arps.
Flatten arpeggiations
For further editing
Default TRIG note should be the Root when using scale mode.
Seems like an oversight to me. If I set a key with no C, then why would I want the default note for manual trigs to be a C?
Drums are a good example of why you might not want this.
I personally miss the behaviour of A4 where the default note is the last note played via keyboard.
But I think there should be a per track setting to decide whether it follows the scale or not, since the scale doesnāt make sense for all instruments.
(There is a workaround but it would be simpler)
Digitone II Tips & Tricks - #43 by sezare56
Iāve requested this directly to Elektron with the Digitone and Digitakt before but wanna gauge support
Hold a trig in grid record mode and press the [Preset/Kit] button to open to the preset browser.
Release the trig (optional)
Select a preset and it is automatically loaded to the sound pool and sound-locked to the trig.
Sound is only loaded to the sound pool if it isnāt already there, otherwise the already loaded one is locked to the trig
Edit: I realized the last point is not technically possible. One solution is to have each entry in the sound pool remember where it came from, and this is indicated in the browser by an icon, and when the sound is selected, the user can choose to use the corresponding sound in the pool (even if it has been modified from the +DRIVE version), or add it to the pool.
-128 ā¦ -64 ā¦ 0 ā¦ 64 ā¦ 128
Instead of just
0
unidirectional channel link
cause if 1 and 2 are linked, you can play/edit 1 and hear 2, but you canāt hear 1 when you play/edit 2
With key tracking and a band pass filter you would get a fun vocoder!
Another thing I donāt get is how Elektron has already implemented LFOs that can track the oscillators with the A4 and proven how useful they are, yet they donāt implement them in the DN2. Why?
just curious, how does an LFO track an oscillator?
You mean like key tracking the LFO rate?
yep, itās a feature on A4, and it would be very nice on DN2, the LFO multiplier has an extra set of options with a tuning fork icon and itās a frequency related to the note played.
I havenāt tried it yet (getting through finalsā¦), but seems like you could use key tracking, since you can modulate things in the MOD pages? Probably a different vibe at the very least, and I might be wrong altogether.
nah, itās quite different, key tracking modulations are linear, and pitch needs to be logarithmic if you want the LFO frequency to track the note frequency.
Oh, thatās interesting. ā¦ I will have to experiment somedayā¦
(It seems like you can calibrate the key tracking to give you an LFO at twice the frequency for C3->C4, but then it will be 3 times the frequency for C4->C5 if itās linear but 4 times if itās multiplicative. I am not sure which I would preferā¦)
Yeah. Its a feature they should have added to all their products!
I have wanted this since Digitone 1. The stereo spread is too narrow without excessive detune.
Hereās an example of the 3rd Wave synth which has separate stereo spread and detune.
1st part is mono, no detune.
2nd part I turn up the stereo spread, no detune.
3rd part I turn up the detune.
(Dry sound)
Really wish the name of currently opened project was displayed on the screen.
I created something a couple of days ago - I really liked it , was so excited about developing it into something - and then last night I saved what I was doing with some new patterns/sounds, and it overwrote the earlier project. So fucking gutted
I donāt follow what this is about?
Instead of having overdrive routing, the parameter could be replaced with one to control the post filter overdrive. It could be migrated from previous versions to set the appropriate one and the other to zero.