Korg EMX-1 Opinions

No difference??!? Are you trying to tell me that $5,750 would be an absurd price to pay for an electribe?

In all seriousness, I think the reason my ESX sounded better after I put the new tubes in was due to running the recalibration and adjusting the pots next to the tubes a bit, and not the JJs vs ATs or whatever the stock ones were.

Was your minty one super pricey Xox?

No they don’t seem to be that expensive in the U.K. I can’t remember what I paid but it wasn’t much. I think it was around Ā£300. I found one local on Facebook so was able to check it out before I bought it. I had a quick look last night and there’s quite a few selling between Ā£300-Ā£400

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Anyone with an EMX-1 able to answer this, before I go back to seller?

It arrived today. I turned it on, and had a little play for 30 mins - all seemed fine. I left it on whilst I attended a work zoom meeting, came back and pressed play …

Nothing. No sound. It’s all running, notes are programmed, screen is fine… No sound.

I’ve also tried sending all the channels out of outputs 3/4, but still nothing. Headphones, main outs, extra outs… No sounds.

Is there any internal setting I’m missing? Any way I could have globally muted sound?

Seems fucked :frowning:

Damn, the seller could at least throw in an SD card for that price

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my first rig was es1 mk2 the gold one and a dodgy korg poly 800 that someone had modded and it was fantastic sounding - still can’t beat the 808 sample kick drum out of the er1 with compression maxed out and the ride sample it comes with is unbelievable - I have heard the emx are the dogs bollocks - very solid following and loads of pro users, can’t go wrong

I’d be interested to know what strategies EMX users tend to employ with regards their selection of 3 effects. It’s hard to know quite what to use and in what order when starting out

There are no rules, when it comes to using effects; but, if you’re looking for guidance regarding signal chain, you would typically arrange effects as follows…

  1. Tone: compression, EQ, distortion (the order of which depends on the objective) …

  2. Modulation: tremolo, chorus, phasers, flangers …

  3. Delay: any effect that resamples or repeats …

  4. Reverb: general ambience should always be end-of-chain …

Cheers!

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Delay into reverb into compressor was my standard chain.

That way I could mix the kick and bass into the compressor and push everything else out of the way. Other sounds got mixed into the other 2 fx to taste.

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This is so interesting to me because my go-to chain on the ESX was almost the exact opposite. It was usually Delay 1 --> Comp --> Delay 2.

Jesus this thing goes so insanely loud! I don’t think I could ever get above about 25% of its volume output, even without giving a crap about the neighbours :joy:

My first 45 mins or so with it, and I made a pretty viable banging techno patch that was really fun to jam out with. Happy days

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Ya, all the Electribes boast a shockingly hot output.

I had to replace a drum machine last minute once, brought the Electribe in its stead, and nearly blew the windows out of the venue. It’s a good thing I’m quick on my feet, when it comes to mix engineering.

Sounded great though.

:sweat_smile:

Cheers!

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Ive said it before and I’ll say it again,
Nothing moves air like an EMX1

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I’ve just checked where the main output volume dial is on my EMX-1 and it’s usually set at around ~25% as going much higher is a little hefty, especially with the valves mixed in.

Is it possible to change the key of the scale you select?

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Yep. Transpose.

Just had an ESX SD delivered today. It is shocking how good this thing sounds and I’ve just had it for an hour. I have a studio full of Elektron and wondering why I never pulled the trigger on this sooner.

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And I got so I got so credibly lucky that it was in better shape than the pics suggested. And the data wheel is t skipping by! Looks like non stock Ruby tubes. I’m trying to decide if the full tube gain might improve after I calibrate them. It that means I need to make a calibration cable. Sounds like a fun Sunday project.

Question though for the team - how often do you all calibrate? And if you do will old tubes sound better?

I really love this one, I’ve never owned one but lots of people had them, the red one sounded huge on big speakers back then, now I only have a few samples but it’s a fast machine, I’d keep it around.

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