Nord Modular G2

Yep , Midi CC 70.
You can even program a patch that randomize its own variation.

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Don’t forget to setup Morph groups, you can sequence those too.

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And you can use variations and morph groups with midi cc to control the Monomachine for example. That makes the Nord G2 an amazing midi controller !

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Another example: sequence scene switches and crossfader on the OT from the G2.

There is a VST/AU editor for mac at byte-order.com

That’s cool. Thanks (edit : doesn’t work/open on any of the DAW’s on my computer unfortunately)
My old Mac (OSX 10.10) still runs this without issue http://www.stage-engine.com/micro-modular-1
on a modular G1

Or use the OT fader to control a morph group on the G2. And let the chosen scĆØne on the OT decide which morph. Endless posibilities :slight_smile:

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I’ve used and use this for sure! But I admit, haven’t got around to my suggestion above. It’s easy to get carried away in the endless possibilities, but the cost for me is often not getting things tracks done! Right now I’m using the G2 to get a couple of percussion lines done. Just velocity controlling a couple of parameters - wave shaper amount, envelope decay and pitch - I :heartbeat: G2

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I’ve got a headache trying to set it up (triggering variations from within the patch). It has to come from another slot, doesn’t it ?
If I try to trigger Variations from the same slot, I run into endless loops because there is no way to stop the CtrlSend modules from sending the CC value when a new Variation is selected. Am I missing something ?

You’ve answered your own question: Yes, use a separate slot for sequencing Variations in other slots.

In performances where you want to have multiple sequences, it’s more efficient (module wise) and sometimes better sync + better overview to set up a dedicated sequencer slot e.g. all sequencers in Slot D to sequence A,B and C

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Thanks.
Just for massive patches with a self-generative approach, it feels more natural to have everything in the same slot.
Anyway, lot’s of possibilities.
The Nord Modulars inspire me much more than the sum of everything else I’ve ever owned. Such incredible instruments…

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I have a patch here that randomize variations but … yep its a little out of control :slight_smile:

Each variation calling another variation with a timer.

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Sequencing morph groups? How do you do that?

And randomising variations from within one patch?

You mean just turning the morph dials automatically?

I specifically meant sequencing Morph groups with an Elektron device - just set them to a CC and plock that CC on your favorite Elektron.

But otherwise I guess you could do it with MIDI modules on a G2.

I’m glad to see some NM users here. The electro-music is more or less dead nowadays and I’m only starting my journey with NMs.
It’s blowing my mind, I’m much happier with this than with my eurorack system. Polyphony + patch memory + MIDI makes the huge difference for me.
I’ve got the micro modular sitting on the G2 and barely touch anything else nowadays.

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Agreed, v nice to hear from NM users here, still enthusiastic about the great NMs

But it’s fine NM users forum is still up - it’s THE go to resource for in-depth info. Moderator Blue Hell, who has amazing knowledge of the NM1 and NM2 still responds. But, sure,

There are many aspects, such as Rob Hordijk’s ā€œwarmingā€ patches and Tim Kleinert’s ā€œDIYā€ oscillators which are way over my head and involve knowledge of the DSP programming. But learn from others’ patches and the subjects.

e,g, The level sequencer.

More sequencer possibilities: use OT/ elektron trigs to one-shot trigger NM sequencers :wink:

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I’ve wanted to try something similar, but with the OT in Plays Free Mode, being controlled by another NM sequencer that would also be effected by the OT…

ā€You wanna get nuts? Come on, let’s get nuts!ā€

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You could easily end up going around in ever-expanding circles!

Any tips about microtonality with a G2 ?
My best results are with round-robin the voices to different oscillators with their own detune, but it’s just for fun, as you can’t really predict which voice goes to which oscillator.