Oh, also comb filter p-locks used with pads to give you melodies within pad sounds, in lack of a better expression.
Right! Who said the octa’s tracks were monophonic?
On that note - the retrig RTIME parameter steps are surprisingly accurately tuned in chromatic semitones. I frequently use that as a crude oscillator of sorts. It usually interacts interestingly with RATE, envelope ATTACK and the timbre of whatever sound you’re using.