I’m just gonna throw this out there … it explores the routing of an ‘improved external oscillator’ as discussed above …
I have made a recording which offers three passes of different takes of the same arp phrase using more than just the A4 Saw … the tuneless nature of the phrase should focus you only to the sound which covers a fair few octaves … so it goes Take A Take B Take C then Take A Take B Take C so you can audition twice and hear each take next to another one … always One Osc and No filter, just varying the Osc source
Straight out into a zoom field recorder
How do A B & C stack up relative to each other and the ‘dull’ and ‘bassy’ commentary in your opinion … Thoughts … can you spot the A4 ?
Linked HERE on clypit
(this is likely time limited or expiring) and don’t trust the rendered waveform, it looks different in my editor in terms of volume … obvs decent speakers/headphones reqd