I have several recordings from my A4II which are based upon a specific delay timings, sometimes with the delay timing modulated by an LFO. I have the dry tracks recorded seperately via overbridge to Ableton, but the FX are mixed in the combined output.
I would like to edit these tunes better than my live efforts, but I will need to recreate the delay settings in Ableton. Is there anyone here who can see a simple way to calculate the delay and LFO settings in Ableton from the original A4II settings?
Have you tried to route only the fx to the main in overbridge? This way it is possible to record the fx without them being mixed with the track sounds.
Yes I have done this, record the wet only FX, but it is all the FX from all the tracks, so still leaves little scope for editing. I am using the modulated delay as quite a major part of the track, I was hoping to be able to pick up and edit the modulation itself in Ableton. At the moment I am planning new recordings using only the Ableton delays so all the mods are recorded and editable.
I understand that Overbridge can record all the FX mods alond with all other live tweaks, but I have not tried this, and I imagine if I did edit the mod sequence I would then have to play the recorded tracks back through the A4 FX …
Is it possible to mute / turn all other sends down for all other tracks on A4 apart from the Track driving the FX that you want to record; and then only send FX to main out?
Would this not give a single tracks FX?
Just remembered: There was a workflow tutorial I saw a while ago that covers what I suppose you are trying to do… it’s about DT but should translate well to A4.
