Introducing Analog Heat +FX

Agreed. I have, and use, the same effects on other devices however adding a touch of chorus or bits of very quiet delay on the master adds a little something extra. Also tons of fun full on for individual instruments (sampled into the OT!) and, as @AdamJay mentioned, my OT 8th track is now free!

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Picturing it now, our dude crashed the NAMM desk and then stormed the Elektron backroom, Beastie Boysā€™s ā€œSabotageā€ was playing on the PA. YES!

Imagining what this thing could do alongside an Octatrack is kind of mind-bogglingā€¦ Iā€™ve been thinking about an Octa to go with ST/DT one day, but now Iā€™m less sure which way to go.

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I do love AH+ and the way the ā€œ+ā€ is intertwined with the ā€œFXā€ in the logo.

image

AH+ gets my vote because it is an augmented AH, after all :nerd_face:
ā€¦ plus itā€™s shorter

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I came into the Elektron ecosystem through the Digis and am starting to think Iā€™ll ā€œcatch ā€˜em all.ā€ (DT + DN + ST). This box looks like way too much fun to pass up, but now Iā€™ve got a routing puzzle on my hands.

Three audio sources, a few OTO boxes, and now this internally routable FX beast. Iā€™ve been trying to figure out the best way to dedicate FX to each box.

The AHFX will almost certainly end up as a mix bus. Now I need a mixer. I really wish this box had three inputs!

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Hereā€™s a video I made while testing. Not a planned out demo however Iā€™m sure if I hadnā€™t been able to test Iā€™d be longing for any audio so perhaps this will be of use to someone.

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How long have you had it? Would love to hear some of the presets youā€™ve made.

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:slight_smile:
Would be great as in a Live situation if using as a drum heater - I just wouldnā€™t use the FX in this case which would be a shame - as I wouldnā€™t want delay/verb it applied to the low end. Sure there is an FX filter which would be a work around but not the same.

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I have a Boss GT for guitar. And I sold a collection of pedals to pay for this (and some old rack mount stuff). And I have an OT, which will love this.
My only thought is I wish it had a send return to plug my space echo into. Otherwise I think it has everything I want in a box and perfect integration with my other Swedish boxes.

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:white_large_square: New Digitakt
:white_large_square: New Digitone
:white_check_mark: New AH
:white_large_square: New A4
:white_large_square: New AR
:white_large_square: New OT

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Warble sounds amazing. But why do I have the feeling that elektron didnā€™t go far enough? Shimmer, pitch shifting delay, tap-delay and the alike would make it lean towards the recent trends. Seems like repacking of everything they already have. Flow is a fantastic idea and I see a lot of possibilities here. Still not a new idea.

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Damnit, touch screen jazzed out and voted for something totally different. Ah well AX is now apparently a hill I will die on :joy:

Wonder if its just the start of many software updates

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It probably is. The digital fx makes it SO open ended. Elektron are really good about updates.

It would seem obvious that the OS updates would be more fx, so theyā€™ll probably add features that are out of left field :grinning:

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song mode

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If you canā€™t make a bloody shimmer reverb with whatā€™s already there youā€™re not thinking hard enough.

Fair enough, thereā€™s a fair bit of stuff it canā€™t do right now, but the right combinations of FX should be able to cover a lot of ground when combined thoughtfully.

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It would need a proper pitch shifter. It sounds from what Iā€™ve heard in demos like Warble might just be a 100% wet delay line with delay time mod (this can be done on Syntakt, audio-rate delay filter mod for noise, even), rather than a pitch-shifting algorithm proper.

Love the approach, but itā€™s true one or two new fx building blocks in updates would go a long way in making additional things possible.

plenty of ways of using the delay, filter and chorus to mimic pitch shifting. Admittedly, itā€™s not as easy without a proper pitch shifter, but you could knock together something that works well enough without too much bother.

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Itā€™s doable but involved on a Syntakt (silent delay send, then ramp the delay time by half, then delay->reverb, empty delay buffer and reset time, repeat), but it seems hard to accomplish those steps without a sequencer.

Enjoying the thought of brutal noise music getting sweetened through gallons of shimmerverb (I donā€™t really use it either).

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im working under the assumption that most people using it will make ample use of a sequencer to control it.

otherwise yeah, its a bit static.

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Do you typically re-cable things to reposition the Heat in the signal chain, or do you use a patchbay or special mixer routing for that?

Iā€™m asking because I often find myself wanting to move the Heat from the end of the chain (master buss) to an insert or send for effecting specific instruments. Maybe a small patchbay would do the trick, but Iā€™m curious about how others handle it (maybe thereā€™s something better I havenā€™t considered).

Alternatively, a second Heat would totally solve the problem :wink: maybe the regular Heat on master and the +FX on an aux channel!